All LA FOSSE, Charles de Oil Paintings

French Baroque Era Painter, 1636-1716 French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century
 

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LA FOSSE, Charles de The Finding of Moses zh oil on canvas


The Finding of Moses zh
The Finding of Moses zh
Painting ID::  7751
  1675-80 Oil on canvas, 125 x 110 cm Mus??e du Louvre, Paris
  1675-80 Oil on canvas, 125 x 110 cm Mus??e du Louvre, Paris

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LA FOSSE, Charles de The Finding of Moses (mk05) oil on canvas


The Finding of Moses (mk05)
The Finding of Moses (mk05)
Painting ID::  20659
  Canvas 49 1/4 x 43 1/4''(125 x 110 cm)Commissioned for the billiard room at the Chateau of Versailles 1701 Collection of Louis XIV
  Canvas 49 1/4 x 43 1/4''(125 x 110 cm)Commissioned for the billiard room at the Chateau of Versailles 1701 Collection of Louis XIV

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     LA FOSSE, Charles de
     French Baroque Era Painter, 1636-1716 French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century

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